Our local Textile Arts Group (TAG), finally managed to meet today. Eight of us met up with Covid secure arrangements and as the weather was sunny we were in fact able to sit outside the hall to spin, knit and talk.
It was lovely, and everyone has been busy learning new things and perfecting their skills during lockdown.
I took my Louet Victoria folding wheel and spun up a bag of Suffolk fibre that will be used as the core for a fancy yarn.
New members are always welcomed. If you live near Brighton and like to know more, or would like to come for a taster session, do get in touch.
Although I promised myself not to get any more fleece until I had emptied my cupboard, I’ve cheated . Well only a bit. Over the winter I have used a lot up, but not all of it!
Having been to Herefordshire and seen the Ryeland sheep sculpture in Leominster I read up about the Ryeland breed and wanted to try a fleece. From what I understand the Ryeland was one of the breeds that can from the Romans crossing their imported Merino sheep with local British breeds. This is probably why they look like Teddy Bears with dense fleece. This breed was instrumental in the success of the British wool trade in the Middle Ages and after, which laid the foundations for wealth in Britain, especially in Herefordshire. Fascinating stuff!
The long and the short of it is that I now have a Ryeland fleece to play with. I sorted out today and have started to wash it with promising results. Not to much VM, but a bit yellowed – the name for this escapes me right now, is it ‘yoked’? I’m guessing its last years crop.
You can see a staple in the photo, and i’ll post once I start spinning. I plan to spin Long Draw, ply and then to dye it.
I belong to a local community textile group, and we have just launched our new website. Please take a look and see what we have been doing. Of course that has not been a lot since April 2020 as much of what we do involves going to outside events to share skills and demonstrate.
Lets hope the coming year will allow us to start doing this again. Meanwhile we have been meeting (in 6’s only) during the summer to spin outdoors, but the latest lockdown, along with the colder, shorter days has put a stop to that. Online meetings are OK, and I have organised a few, but its not the same!
We hope to be able to take ourselves along to demonstrate natural dyeing, eco dyeing, spinning, and fibre preparation at Bentley Wood Fair near Ringmer in September. Allan will hopefully demonstrate his fascinating nettle fibre preparation methods, and we will all be suitably masked and socially distanced of course.
I’ve had a number of different colour hand dyed carded batts sitting waiting for me to find inspiration. They are all from fleece I have scored and carder myself, so are a mix of Shetland, Suffolk and Texel, with maybe a little Alpaca blended into some of them. Some are in 200g amounts, some less. I’d got a bit stuck about how to use them until I saw a useful tip by Anna from my spinning group that she has put on YouTube.
Before you start, select a group of colours that work together. After a designing session during which I wrapped different colours together, I chose five: orange, pale green, mid blue, pale blue and lilac.
Anna used a combination of hand dyed and commercial roving, but the principle is the same with your own carded batts.
1. First of all split the roving/batt into the required lengths, (I just used the whole length of the batt of my drum carder).
2. Then split each length lengthwise into 4, (or more, depending on the thickness of the roving/batt).
3. Next, lay out the colours lengthwise, next to each other in the order you want to spin them into yarn. Test this beforehand to see how they mix throughout one repeat of a yarn, and if this works for your chosen outcome, such as knitting.
4. Repeat the colour sequence three more times so you have a table full of ‘stripes’ of fibre. If you have more than four lengths let colour, carry on until all are used up.
5. Now this is the clever part. I have hand spun colour changing yarns before and got the sequence wrong because I put it all away in a box between spinning sessions. To keep the sequence do the following.
6. Take a metre + long length off ribbon and tie a pencil or empty pen across one end. This is your fibre-stopper. Tie a hand-sized loop on the other end. This is your distaff.
7. Starting at one end of the ‘stripes’, wind each length off fibre into a loose roll and slip the looped end of the ribbon through the centre hole. Carry on doing this, working methodically through the fibre lengths, keeping the colour order as mapped out in your ‘stripes’.
8. You will end up with a ‘necklace’ of colour ordered fibre rolls on the ribbon. Tie the ends together to stop the fibre sliding off.
Now to can put them in a box and they won’t get muddled. To start spinning, simply lift the necklace out, untie the ends, and slip the loop over your hand. It acts as a distaff and will hold your fibre nicely as you spin each colour.
What a great tip!
I plied the colour changing yarn with a single spun made from navy blue Corriedale. This made a lovely marl yarn that to me resembles stained glass windows. I can’t wait to see what it looks like knitted.
I made my first non-destructive, felted ‘sheepskin’ rug yesterday. Why I chose the hottest day of the year is beyond me. Well – it was meant to be a ‘sorting wool in the shade’ time, but a cotted mid-section of a pretty black Shetland fleece inspired me to take control and made something useful from it.
After cleaning as much VM as I could stomach from it – yes I know, I will live with the little bits forever now – I started to make the rug. I didn’t take any photos until it was done because it was a truly filthy job and I didn’t want to touch anything and needed a shower afterwards.
Update 13th August 2020
I made another one from a bi-coloured Shetland fleece and took a couple of photos,shown below
I laid the portion of fleece face down on the garden table and sewed together any holes – using wool yarn. I shaped it using this as well, so drew bits together and firmed up the edges.
After lifting the fleece I put an old net curtain on the table and then a layer of of bubble wrap, ( I have to fight to keep a stock of this as my husband throws it out when parcels arrive). On top of this I laid the firmed up fleece face down.
Next I laid layers from my own carded batts of black Shetland across the back. This wasn’t from the same fleece, but from last years equivalent. I did a quick and dirty carding session to get the batts, once through and no picking of bits etc. I criss crossed these to make a firmer backing. Over these I laid a thin layer from a batt of Blue Faced Leicester I had in my store cupboard.
Over this I laid another old net curtain, and dribbled boiling water over it all, and some washing up liquid. Then I tightly rolled it around a pool noodle and rolled it back and forth lots of times – for a minute at least. This was the filthy part, as the dirt came out in spurts. Yuck.
I opened it all up, checked the felting and added more hot water and rubbed and kneaded any suspect places with a bar of soap to get them felting. The re-rolled for another minute, and repeated it all again.
Of course it still needed washing, which was another filthy job, but finally it was all done!
Drying it took a day in the sunshine. Now its on the sofa, yipee.
Is it risque? It’s certainly liberating. Given the restrictions on meeting up indoors, going to the park seemed the the perfect way to meet up when we can’t go to our normal groups.
This is the second one I’ve organised and it was lovely way to spend a Friday afternoon. I took my portable Louet wheel and others brought wheels, drop spindles, knitting and crochet. And a picnic lunch!
Shade was mandatory as it was so hot, and we found a generous tree that have us a shady space big enough for plenty of social distancing.
I took along a sack of stove-top rainbow dyed fleece as described on my Dyeing Wool page. It’s a little coarse, but in nicely formed locks, so I am flick carding it and spinning it quite thick for use in a rug, (maybe)?
I’ve been dyeing a whole fleece into 100g lots mixing my own colours from primaries from Colourcraft acid dyes bought from George Weil.
I’ve gone into detail about this here, but the colours are zinging.
Pink, greens, dark red, yellow and orange. I’ve just completed a blue, but it’s still wet so will have to wait to be added later on. I added another batch of fleece to the finished due bath to exhaust it totally, which gave me a pretty pale blue.
I’ve also tried stove-top rainbow dyeing. More about that can be found here.
Today I finally completed a top-down jumper I started last December! I bought the main 100% wool yarn in Hereford, and the stripes are worked in two odd balls, one Noro and the other Icelandic. I’m looking forward to hearing it next winter.
Washing (or scouring) raw fleece is not a quick job, I think that’s something all can agree on. It’s also surprisingly contentious. Everyone wants to tell to their method, and you gradually learn that different fleece require different scouring methods, so everyone is probably right!
So I’m going to write about my experience today.
I have been given a rather nice Shetland fleece. Rather nice that is, but filthy. The fleece is very greasy and every single lock is gummed together and dirty at the tip. Underneath however, you can see the gorgeous fibre hidden under the grease-trapped dust and poo.
I gave some of it a good hot soak yesterday with plenty of washing up liquid. The water was like oxtail soup (sorry if you like oxtail soup), but after a few rinses it seemed OK.
However, this morning’s inspection showed it to be still greasy and those dratted dirty and sticky tips were still gummed up.
Rather than transfer that gunk to my carder I reluctantly decided to re-wash the fleece. So more really hot water baths followed. The first was so hot I couldn’t put my hand in it, with loads of washing up liquid and a dose of washing soda to break the grease. I always wash the fleece separated into small mesh lingerie washing bags. With this second wash, I opened each bag, one at a time under the water and teased the locks apart, concentrating on those dirty tips to loosen the greasy dirt.
Yes it was time consuming, bit surprisingly gratifying as the dirty came out quite easily with this method. I think because the fleece has just been sheared the dirt hasn’t had to much time to harden-off.
Today met James McIntosh and Dr Thomas Ernst, inventors of the term ‘knititation’ and authors of Knit and Nibble. They had been invited to speak at the University of Brighton School of Art’s Centre for Arts and Wellbeing event, Knitting and Wellness.
When we first met, James told me that he had found The Knitting Book really helpful when he was teaching himself to knit – which was truly gratifying feedback. It’s nice to find out how people use and value my contribution to sharing knowledge.
James was first to speak, and he described his personal journey through depression and how knitting mindfully enabled his recovery and brought colour back into his life. Thomas discussed the science behind mindfulness and it’s aptness to knitting.
Nina Dodds, author of Invisible Jumpers, and I provided yarn and needles so that everyone who wanted to could knit during the event. We were gratified that everyone took up the opportunity!
It was a great talk, entertaining and interesting. James and Thomas kindly gave me a copy of their book which I am reading this weekend.
At the end Thomas led a short mindfulness session, which was a new expressive for some of the audience. Hopefully we all left feeling refreshed.
Like James, and so many others, I find hand knitting keeps me calm; it’s repetitive movements bringing my attention back in a rythmic cycle. So now I’ve written this it’s time to take up my needles for a soothing session.