From fair-isle to football boots

This was a talk that I gave at the Textile Institute. In it I discussed seamless knitting technologies, their historical roots in hand knitting methods, and the potential the ‘new’ technolgies are bringing to commerical knitwear and knitted outputs. The audience had the opportunity to handle samples produced on flat-bed Shima Seiki Wholegarment and Santoni circular seamless machinery.

This was in 2014, and since then mass produced knitted footwear of varying degrees of sophistication has become common on the high street (and it is so comfortable).

I recently purchased a pair of hi-top elastic knit trainers, with flechage (short row) shaping on the ankle and other technical knit structures on the upper and toe, for a very moderate sum. In 2014 they were still expensive and quite exclusive – so we can see the impact on footwear without looking further than the high street (or online shopping of course).

I recently heard of a business in the US that knits custom made climbing boot uppers, fascinating!

Follow this link to my media page to read more about the talk.

 

 

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What’s inside ‘Translating Between Hand and Machine Knitting’?

Lace knitting – see more about this on my Translating Between Hand and Machine Knitting page, but in brief, yes this is explained in loads of detail, with helpful photos and diagrams, examples and step-by-step instructions.

The book does not include garment patterns, it explains how to knit different stitches by hand and machine, and why some stitches are more suitable for hand and others for machine knitting.

Translating between Hand and Machine Knitting

A pre-publication glimpse of my new book, Translating between Hand and Machine Knitting.

CoverTo be published by Crowood Press in summer 2018, this book is lavishly illustrated with clear step-by-step instructions on knitting techniques, stitch structures and fabric constructions.

Unlike many other knitting books, this one explains why knit stitches behave in certain ways, and how to achieve effects using combinations of stitches. Each stitch construction is analysed and explained with diagrams and examples, for example tuck stitch (in hand knitting this is known as broiche stitch) is clearly illustrated so that the route of the yarn is tracked, and effects on vertically and horizontally adjoining stitches can be seen.  Fabrics made with this stitch in both hand and machine knitting are illustrated, explained and compared and contrasted in both methods of knitting. The most suitable method is highlighted and pros and cons of methods discussed.

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The constructions of textural and colour effects are explored and described by hand and machine knitting methods. There is a whole chapter explaining how to knit a hand knitting garment pattern on a machine, or vice versa, and how to subsitute yarns between both methods. Examples and illustrations support every step, and shortcuts and hints and tips are scattered strategically throughout the text.

I am proud to say that my book has been written with the primary aim to enable the reader to take control of their knitting and create exactly what they want in both knitted textiles and knitted garment shapes.

It will take pride of place on any knitter’s book shelf, sitting next to The Knitting Book and Knit Step-by-Step.  Preorder on Amazon