Is it risque? It’s certainly liberating. Given the restrictions on meeting up indoors, going to the park seemed the the perfect way to meet up when we can’t go to our normal groups.
This is the second one I’ve organised and it was lovely way to spend a Friday afternoon. I took my portable Louet wheel and others brought wheels, drop spindles, knitting and crochet. And a picnic lunch!
Shade was mandatory as it was so hot, and we found a generous tree that have us a shady space big enough for plenty of social distancing.
I took along a sack of stove-top rainbow dyed fleece as described on my Dyeing Wool page. It’s a little coarse, but in nicely formed locks, so I am flick carding it and spinning it quite thick for use in a rug, (maybe)?
Last week a few of us got together (safely distanced and masked), to take our textiles into the park. I enjoyed myself so much I forgot to take a photo!
The thought of spinning outside in the sunshine encouraged me to use bright colours. So I took along some Shetland fleece I dyed a while ago using acid dyes, (I have written more about dyeing fleece with acid dye here).
I’d spun up a bobbin of Suffolk fleece that is not very exciting, so I planned to use that as the core for a bright, irregular spun, core-spun yarn to which I would add a charcoal wrapping yarn. All 100%wool. I took my folding Louet Victoria S95 wheel which is a joy to use.
The core yarn was Z twisted quite tight. The wrapping colours were also put on Z twist, and the final charcoal, commercial yarn was S spun over the others.
After washing and drying the twist the colours hardly muted and it’s come out as lovely yarn.
Having read about this spinning technique I though I’d have a go. It doesn’t save much time as you still have to run the yarn back through the wheel, which takes as long as simple plying. It was prompted by my practise at making a ”Z’ twist fat singles’ and so I decided to over-twist this singles yarn as I practised the night before a dyeing session. So I treated it cruelly when washed it, and also in the hot dye bath as well.
As there were several colour dye baths it was too tempting not to dip-dye the hank. Firstly it went into red-cabbage allover, and then the ends were dipped into madder and turmeric.
I’ll be trying this out soon to see what it looks and feels like as a knit.
I’ve got a pot of onion skin dye ready to tie-dye a silk scarf and a skein of hand spun Jacobs marl yarn.
The yarn changed colour during the mordanting, and the cream ply has taken on a pale golden yellow tone. I think I will dip dye it to preserve this rather pleasant effect. Let’s hope the pale yellow doesn’t wash out at the end!
The scarf is already dyed in an ombre effect from grey to white, but cool greys don’t suit me; I want a warmer golden colour. The underlying ombre effect will be interesting, and I’ve tried marbles in in a pattern. I may add some eco prints on too, I’ll see what happens with the tie dye.
I’ve rigged up a spoon and bowl into a frame to hold the hank of yarn whilst being dip-dyed.
I use a neat little induction hob from Ikea for dyeing to save energy as we have solar panels.
The yarn was a little disappointing. I think I didn’t have enough dye material in the bath, and the silk took it up faster than the wool. However I dunked it into an iron mordant and it’s slightly saddened it into a softer yellow that blends better with the darker ply.
The scarf was ok, tie-dyed but wishy-washy and unexciting. So plan B, to eco print on it, came into action. During my dog-walk I collected a variety of leaves, luckily there is a small cluster of sumac and lots of Oak varieties in our local park.
I also collected a few bunches of Rowan berries, beech and other leaves.
In my excitement I forgot to take a picture of the tie-dyed silk, or of laying out the leaves. I did that lengthwise along half of the width of the scarf, then folded it in half to sandwich the leaves between two layers. I’m not sure if this would have worked better if I had waited until the scarf had dried; I added the leaves directly after rinsing it after tie-dying.
Not having a spray bottle handy that I wanted to use for iron mordant solution, I’d already decided to soak the whole thing in the iron solution. Before doing that I folded the scarf widthwise once again and then tightly wound the folded scarf around a short length of plastic pipe, securing the ends with elastic bands. After giving the rolled packages a good soak in iron I used load of string to bind the fabric really tightly to the pipe all along its length.
Then it went into an improvised steamer for an hour. Unfortunately, because the steamer set-up only allowed a shallow water bath, I managed to boil it dry! This has mildly effected the outer layer on the underside of the pipe. It’s a bit darker.
For good measure I dribbled a bit of copper mordant on it as well. The effect was so strong that the white plastic pipe has now got leaf prints on it as well!
After unwrapping the scarf from the pipe, and following thorough wash it has come out rather well I think. Miles away from the boring grey one anyway!
Whilst demonstrating as a member of a local textile group, Woolly Umbrella, at the Wild Chalk festival, I kept a drop-spindle of my own going with singles that I Andean plied at the end as part of the demo.
I don’t think repeatedly putting it down and restarting helped me get an even twist, or it may have been the plying, or a mixture of both, but the yarn isn’t balanced. I knitted a lace pattern with it, and the bias isn’t so pronounced as in stocking stitch, but I can see it.
For fun I added the knitted sample to a purple dye bath I had prepared to dye some other yarn, and here is the result.
For no better reason than wanted to play with acid dyes I dyed a 58g hank of handspun Texel and Clun Forest 2 ply today. Inspired by WASPI I chose to mix a purple. If we haven’t won our pension compensation by the winter I shall knit mittens for wearing on demos.
I’m going to pop 100g of Shetland fleece that has some pink staining on the tips into the exhausted bath to hopefully give it a tint.
Half-way through the tint was looking too blue, so I added 1/8th TSP magenta to bring it back towards purple.
Below is the yarn, it’s still wet so it’s going to be a lot lighter when dry.
I love the final plying process when spinning yarn. This is Texel and Clun Forest wool fibre, processed from raw fleece. One single of each as an experiment.
I find it very difficult to get a smooth yarn from my own prepared raw fleece. It’s pretty easy from commercially prepared tops, but getting all those little nepps and second cuts out is pretty impossible for me.
The South Downs are home to the Southdown breed of of sheep, the wool from which can be used for hand spinning. So to support the local Shout Downs national park and sheep farmers I joined several other members of my local spinning group, Woolly Umbrella, and took my skills (basic as they are) along to Wild Chalk. This free event, organised by the South Down National Park Rangers, was held in East Brighton park. Our part was to demonstrate spinning wool and encouraged people to have a go. I took along several drop spindles and a sack of washed fleece. Others brought along a spinning wheel, drop spindles and needle felting to share, plus an exhibition with some beautiful examples of naturally dyed, handspun wool. Most people were spinning the local Southdown fibre but mine, to my shame, was Texel cross Southdown.
As you can see children and adults alike really loved to watch, and most of them tried spinning from fleece to some extent or other.
I practised with a newly acquired Turkish spindle and using the Andean Plying technique even produced some reasonable 2ply.