I came across this review of my book, ‘Translating Between Hand and Machine Knitting’, and would like to share some of it with you.
“This book needs to be on every machine knitter’s manuals shelf, in pride of place, no matter if you use Silver Reed or Brother!”
“Where was this book when I was desperately trying to learn how to design lace/translate lace cards between Brother and Silver Reed?!?!”
This book is absolutely essential equipment as far as I am concerned!
The pictures will blow you away and they only get better.
The details are absolutely in depth and extremely easy to understand with stupendously clear focused pin-pointed and highlighted photography and exemplary diagrams that compare every aspect of stitches, fabric, mechanics, of hand and machine knitting.
It isn’t a how-to… it compares them and shows some GREAT visuals of them on and off the needles. Refer to your manual for specifics on how-to cast-on and cast-off. Basically, this book compiled most of the answers to questions I have asked in the past, questions I have hunted down answers to, and questions that I hadn’t even thought to ask. It is utterly fantastic.
Buy it! Buy it NOW!
I can not say enough how much you need this book! How much I needed this book… now if I can just convince her to write one on Passap…
No! I have no affiliation with the author… I wish I could say I know her.’
Today I’m taking my new Louet S95 Victoria folding spinning wheel out on a test run. We are taking the bus – with a change in town – to my spinning group.
I’m using its own rucksack to carry her, and so far it’s OK. I’ll probably add chest and waist straps in the future to make it more comfy. I’ve popped my my lunch, a spare bobbin and some fibre in the front pocket. As I don’t know if the rucksack is waterproof I’m hoping it doesn’t rain.
I’ve got a little trolley I planned to use for taking my Ashford Traveller to group, but still haven’t got round to buying some stretchy ropes to secure the wheel to the trolley. Which is partly why I’m using the rucksack as a rucksack today.
I’m on the way home now, and that went well. I took the time with the group to play with the ratios of the Victoria , which are 1:6, 1:8.5, 1:13. I found that I could match the same fibre spun into yarn spun on the largest whorl of my Traveller, (which I think is 1:6.5), best on the 1:8.5 whorl, but that might be the way I was handling the fibre today. I spun the sample I was working from a few weeks ago, and do find temperature and humidity effect the fibre and my hands.
I will have to name my Louet, my Traveller is Dora, my Traditional is Hector. My little old Scottish double drive wheel is SweetPea because she is tiny, delicate and beautiful and treadles so sweetly.
Today I ran a workshop that introduced members of Brighton Textile Art Group to machine knitting. To give a wider experience both a Knitmaster and a Brother machine were used, one standard and one chunky gauge. The chunky was particularly popular once it was found that it can knit handspun yarns.
Techniques explored included shaping, fair isle, single motif fair isle, knitwear (again great for hand spun), holding and short rows and simple, manual lace transfer.
I took along a little circular machine to demonstrate the difference between the two machine types, but the real interest was in the flat bed Japanese machines.
After the workshop response were really positive; people who had thought they would hate it had great fun, and those with machines were enthused to go home and get them out. Unfortunately the workshop clashed with the East Sussex Guild of Spinners, Weavers and Dyers meeting, so another workshop had been requested in the Spring or Summer of 2020.
I’ve got a pot of onion skin dye ready to tie-dye a silk scarf and a skein of hand spun Jacobs marl yarn.
The yarn changed colour during the mordanting, and the cream ply has taken on a pale golden yellow tone. I think I will dip dye it to preserve this rather pleasant effect. Let’s hope the pale yellow doesn’t wash out at the end!
The scarf is already dyed in an ombre effect from grey to white, but cool greys don’t suit me; I want a warmer golden colour. The underlying ombre effect will be interesting, and I’ve tried marbles in in a pattern. I may add some eco prints on too, I’ll see what happens with the tie dye.
I’ve rigged up a spoon and bowl into a frame to hold the hank of yarn whilst being dip-dyed.
I use a neat little induction hob from Ikea for dyeing to save energy as we have solar panels.
The yarn was a little disappointing. I think I didn’t have enough dye material in the bath, and the silk took it up faster than the wool. However I dunked it into an iron mordant and it’s slightly saddened it into a softer yellow that blends better with the darker ply.
The scarf was ok, tie-dyed but wishy-washy and unexciting. So plan B, to eco print on it, came into action. During my dog-walk I collected a variety of leaves, luckily there is a small cluster of sumac and lots of Oak varieties in our local park.
I also collected a few bunches of Rowan berries, beech and other leaves.
In my excitement I forgot to take a picture of the tie-dyed silk, or of laying out the leaves. I did that lengthwise along half of the width of the scarf, then folded it in half to sandwich the leaves between two layers. I’m not sure if this would have worked better if I had waited until the scarf had dried; I added the leaves directly after rinsing it after tie-dying.
Not having a spray bottle handy that I wanted to use for iron mordant solution, I’d already decided to soak the whole thing in the iron solution. Before doing that I folded the scarf widthwise once again and then tightly wound the folded scarf around a short length of plastic pipe, securing the ends with elastic bands. After giving the rolled packages a good soak in iron I used load of string to bind the fabric really tightly to the pipe all along its length.
Then it went into an improvised steamer for an hour. Unfortunately, because the steamer set-up only allowed a shallow water bath, I managed to boil it dry! This has mildly effected the outer layer on the underside of the pipe. It’s a bit darker.
For good measure I dribbled a bit of copper mordant on it as well. The effect was so strong that the white plastic pipe has now got leaf prints on it as well!
After unwrapping the scarf from the pipe, and following thorough wash it has come out rather well I think. Miles away from the boring grey one anyway!
Whilst demonstrating as a member of a local textile group, Woolly Umbrella, at the Wild Chalk festival, I kept a drop-spindle of my own going with singles that I Andean plied at the end as part of the demo.
I don’t think repeatedly putting it down and restarting helped me get an even twist, or it may have been the plying, or a mixture of both, but the yarn isn’t balanced. I knitted a lace pattern with it, and the bias isn’t so pronounced as in stocking stitch, but I can see it.
For fun I added the knitted sample to a purple dye bath I had prepared to dye some other yarn, and here is the result.
For no better reason than wanted to play with acid dyes I dyed a 58g hank of handspun Texel and Clun Forest 2 ply today. Inspired by WASPI I chose to mix a purple. If we haven’t won our pension compensation by the winter I shall knit mittens for wearing on demos.
I’m going to pop 100g of Shetland fleece that has some pink staining on the tips into the exhausted bath to hopefully give it a tint.
Half-way through the tint was looking too blue, so I added 1/8th TSP magenta to bring it back towards purple.
Below is the yarn, it’s still wet so it’s going to be a lot lighter when dry.
I love the final plying process when spinning yarn. This is Texel and Clun Forest wool fibre, processed from raw fleece. One single of each as an experiment.
I find it very difficult to get a smooth yarn from my own prepared raw fleece. It’s pretty easy from commercially prepared tops, but getting all those little nepps and second cuts out is pretty impossible for me.
In a flurry of energy today I made a T-shirt tunic out of some of my fabric stash. My stash is a pile of fabric that hunkers down in the corner, offering me enticing glimpses of exotic colours, textures and exciting new projects before my guilt makes me go and do the hoovering.
So today I said ‘hang the Hoover, dump the dishes, it’s time to SEW!’. And I did!
This is my variation of The Makers Atelier ‘Boxy T-Shirt’ pattern. I’ve lengthened the whole T-Shirt into a tunic, and made the back a little longer than the front. They advise using stretch interfacing to stabilise the shoulder seams, neck, cuffs and hem, and luckily I had some to hands – that’s the beauty of being a fabric hoarder.
The Makers Atelier patterns are easy sized and they encourage you to be inventive when using their patterns. I cut between the medium and large to get the fit I wanted. I considered altering the pattern by adding bust darts but am now pleased I didn’t bother. In a fabric with less drape that might still be a good idea for the future.
This cotton print Jersey fabric has been tantalising me from the depths of my stash for a few years. It was a remnant, so only just over a metre long and never quite enough for most things I considered. It had been expensive as it’s really good quality fabric so I didn’t want to waste it on something I wasn’t going to be happy with. All of which meant that it’s lain there waiting for its moment.
Now it is finally made-up into this tunic I am very pleased with it; this will be going on holiday with me. The Jersey won’t crease too adult and I can dress it up and ring the changes with linen trousers, Capri pants, leggings and even skirts I think. Plus it will work on the beach. Win-win I think!
It took me about 4 hours to make including cutting out the main fabric and interfacing, (oh and finding the interfacing which I had put somewhere totally illogical). The making was interrupted by the ‘incident of the bloody overlocker’ – when there was a ‘bang’ and the machine light went out. Well yes, I did panic, but it turned out that the bulb had gone ‘pop’ and blown the fuse of the overlocker at the same time. So it was easily repaired thank heavens. I hate it when my machines break.
Finishing off called for the coversew machine. I could have topstitched with a double needle on the sewing machine, but why have a coversew machine if you don’t use it? Threading it up is a bit of a pain but it sews a lovely hem, especially when the fabric is interfaced, so it was worth the bother.
I have a glow of achievement as I sit here blogging.
The South Downs are home to the Southdown breed of of sheep, the wool from which can be used for hand spinning. So to support the local Shout Downs national park and sheep farmers I joined several other members of my local spinning group, Woolly Umbrella, and took my skills (basic as they are) along to Wild Chalk. This free event, organised by the South Down National Park Rangers, was held in East Brighton park. Our part was to demonstrate spinning wool and encouraged people to have a go. I took along several drop spindles and a sack of washed fleece. Others brought along a spinning wheel, drop spindles and needle felting to share, plus an exhibition with some beautiful examples of naturally dyed, handspun wool. Most people were spinning the local Southdown fibre but mine, to my shame, was Texel cross Southdown.
As you can see children and adults alike really loved to watch, and most of them tried spinning from fleece to some extent or other.
I practised with a newly acquired Turkish spindle and using the Andean Plying technique even produced some reasonable 2ply.