Replacing the tension dial on the carriage of a Knitmaster 700, some tricks and tips to make this easier. Knitting socks and hand spinning yarn for machine knitting socks.
Today I finally completed a top-down jumper I started last December! I bought the main 100% wool yarn in Hereford, and the stripes are worked in two odd balls, one Noro and the other Icelandic. I’m looking forward to hearing it next winter.
Today I had a lovely day with Long Buckby Machine Knitting Club. They had asked me to come and talk about my book Translating Between Hand and Machine Knitting and gave me a wonderfully friendly welcome. This meant talking about my experiences as a machine knitter was like sharing with friends.
I met so many interesting people who have interests in common and was pleased to see some younger faces on the audience.
Janet Collins, Chair of the Knitting and Crochet Guild was there and spoke to the meeting about the recent amalgamation of the Knitting and Crochet Guild and the Guild of Machine Knitters. She also gave an impassioned plea for members to encourage younger people to become members. She told me that if the Guild is not offering what young knitters want, the way forward is to find out what they do want and make this an aim, otherwise the Guild will dwindle. As there are 1,500 members this would be a real shame.
I’m now on my way home feeling a warm glow from the kind words and the opportunity to meet genie machine knitters with so many skills.
“This book needs to be on every machine knitter’s manuals shelf, in pride of place, no matter if you use Silver Reed or Brother!”
“Where was this book when I was desperately trying to learn how to design lace/translate lace cards between Brother and Silver Reed?!?!”
This book is absolutely essential equipment as far as I am concerned!
Buy it! Buy it NOW!
I can not say enough how much you need this book! How much I needed this book… now if I can just convince her to write one on Passap…
No! I have no affiliation with the author… I wish I could say I know her.’
Today I ran a workshop that introduced members of Brighton Textile Art Group to machine knitting. To give a wider experience both a Knitmaster and a Brother machine were used, one standard and one chunky gauge. The chunky was particularly popular once it was found that it can knit handspun yarns.
Techniques explored included shaping, fair isle, single motif fair isle, knitwear (again great for hand spun), holding and short rows and simple, manual lace transfer.
I took along a little circular machine to demonstrate the difference between the two machine types, but the real interest was in the flat bed Japanese machines.
After the workshop response were really positive; people who had thought they would hate it had great fun, and those with machines were enthused to go home and get them out. Unfortunately the workshop clashed with the East Sussex Guild of Spinners, Weavers and Dyers meeting, so another workshop had been requested in the Spring or Summer of 2020.
About ‘Translating Between Hand and Machine Knitting’.
‘An outstanding read’
‘Here’s a new hardback book that’s packed with all the information a machine or hand knitter would wish to find.’
‘You’ll have no regrets, as this will be your best ever buy as a machine or hand knitter.’(Guild of Machine Knitters newsletter February 2019)
‘Vikki Haffenden outlines the necessary knowledge, especially of stitch construction – the basic necessity for knitting by all methods’.
‘Throughout the book the author uses very clear diagrams and photographs to explain stitch patterns, techniques and equipment’.
(Annec Cartwright in Slipknot, newsletter of the Knitting and Crochet Guild, June 2019)
‘I cannot tell you how much I adore this book’
‘Thanks to your work my eyes are open to the possibiliites of working on fresh and modern projects without having a background in fashion or textiles’
(Turtlemelon crafts, via Instagram)
‘Hi, I’m Barbara from Italy and want to thank you for writing “Translating between hand and machine knitting”. It’s just great, I can now understand the differences between silver reed and brother. I have one of both but got frustrated trying to use the silver reed, so just stopped working with both… now I have the chance‘
Thank you Barbara, its great to hear your feedback.
This was a talk that I gave at the Textile Institute. In it I discussed seamless knitting technologies, their historical roots in hand knitting methods, and the potential the ‘new’ technolgies are bringing to commerical knitwear and knitted outputs. The audience had the opportunity to handle samples produced on flat-bed Shima Seiki Wholegarment and Santoni circular seamless machinery.
This was in 2014, and since then mass produced knitted footwear of varying degrees of sophistication has become common on the high street (and it is so comfortable).
I recently purchased a pair of hi-top elastic knit trainers, with flechage (short row) shaping on the ankle and other technical knit structures on the upper and toe, for a very moderate sum. In 2014 they were still expensive and quite exclusive – so we can see the impact on footwear without looking further than the high street (or online shopping of course).
I recently heard of a business in the US that knits custom made climbing boot uppers, fascinating!
Follow this link to my media page to read more about the talk.
Lace knitting – see more about this on my Translating Between Hand and Machine Knitting page, but in brief, yes this is explained in loads of detail, with helpful photos and diagrams, examples and step-by-step instructions.
The book does not include garment patterns, it explains how to knit different stitches by hand and machine, and why some stitches are more suitable for hand and others for machine knitting.